Ca
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Andy Mikita
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第二季将描述该剧的核心主题：为什么古人当初要发射命运号？为什么命运号沿着既定的路线前进？这个路线是怎么确定的？根据剧组的描述，其实命运号有特定的目的地，命运号的任务「非常重要」，远比「将船上的人送回家」重要。不过，完成这项「新任务」的条件之一，就是将船上的人「顺道」送回家。
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内详
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In Reasonable Doubt, you'll judge Jax Stewart for her questionable ethics and wild interpretations of the law until you're the one in trouble. Then you'll see her for what she is: the most brilliant and fearless defense attorney in Los Angeles who bucks the justice system at every chance she gets.
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Andy Mikita
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《星际之门：宇宙（Stargate Universe）》的设定是人类在成功揭开星际之门第九个符号的秘密之后，一组探险队员被传送到荒废已久的古人飞船 "命运号" 上。这艘飞船是古人在其文明达到顶峰的时候建造的，它是古人的一次重大实验，承载着一项重要任遗憾的是，这个实验始终未能完成。
探险队员很快发现他们被困在了 "命运号" 上，无法通过原路返回地球。他们只有登上 "命运号"，向未知的宇宙深处出发。一路上，船员们将与古人先前向宇宙发射的星际之门一一取得联系，实现 "命运号" 最初的任务。这些星际之门在 "命运号" 被建造之前几个世纪就已被安放好了，"命运号" 能与其航向同步的时间窗口很短。一旦错过了其中一个，回头再找已经很困难了。此外，"命运号" 在旅途中还将遇到无数新的种族、敌人和奇闻趣事。
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萨拉·弗里德兰
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八旬老人露丝（凯瑟琳·查尔方特饰）一直独居，但衰老的征兆已悄然显现：烤面包片被遗忘在沥水架上、面容时常陷入茫然、以现在时谈论逝者却对眼前的至亲（比如近在咫尺的儿子）浑然不识。她入住辅助生活机构，由此开启了一段奇异而超然的旅程——这正是萨拉·弗里德兰的长片处女作《熟悉的触碰》的核心叙事。该片在2024年威尼斯电影节地平线单元斩获三项大奖，包括"未来之狮"最佳处女作奖、最佳导演奖，以及查尔方特凭借惊人演技获得的最佳女演员奖。弗里德兰以犀利的真实感构筑戏剧张力，尽管题材沉重，影片却展现出罕见的叙事弹性：温柔、谦卑甚至荒诞的灵光时刻不时闪现，角色与创作者对露丝倾注的同理心贯穿始终。《熟悉的触碰》预示着一颗导演新星的诞生。该片由Music Box Films公司发行。
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布拉德·安德森
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Five years ago, a tear in the fabric of reality brought creatures to our world from an alternate dimension bent on our destruction. A father hides his daughter on an island to keep her safe while he prepares her for survival and the battles to come. But when the world is about to break, no place is safe.
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艾伦·布朗
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在破碎家庭中长大、拥有极高舞蹈天分的年轻人奇普（瑞恩‧史提尔 Ryan Steele 饰），刚满18岁便独自奔赴纽约，在SOHO区一家舞团学习跳舞，追逐自己现代舞的梦想。身无分文的他每晚只能偷偷留宿舞池，直到某天清晨被女舞伴凯蒂（凯瑟琳‧米勒 Catherine Mi ller 饰）发现。凯蒂像大姐姐一样收留了奇普，然而奇普并没有过几天平静的生活。日夜陪伴练舞的英俊舞者西奥（里德‧路普劳 Reed Luplau 饰）不知不觉搅乱了他的心。害怕、抗拒、犹疑，同性异性之间对于爱情的吸引、性爱的欢愉、人生的徘徊，就在五支舞的翩然转折之间，传达出人与人渴望倾诉的温情。 《舞影随行》是一部关于舞蹈的电影，舞者肢体的伸张旋转背后是现实生活的各种困顿。通过抽象的现代舞蹈，让舞者获得超脱的勇气，让残缺的人生获得艺术的完整，这正是导演艾伦‧布朗创作的初衷。片中的同性感情，两位主角的进退、试探和亲密，调度恰如舞蹈般有着最微妙的文本对应。负责为《舞影随行》编舞的是美国复兴现代舞大师乔纳‧伯克，主角瑞恩‧史提尔和里德‧路普劳都是跨界演出的专业舞者，他们驾驭着线条匀称的身体，将现代舞的轻盈唯美展示得淋漓尽致。《舞影随行》获2013年特拉维夫同志电影节和里约热内卢同志电影节最佳剧情片奖。
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阿什利·卫
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The Guest (4x60) is an addictive, fast-paced story that centres on the toxic and beguiling relationship between a successful business owner, Fran, and her employee, Ria. Ria has never had the time or opportunity to think about what she might actually want from the world. So, when she starts cleaning for Fran, she’s intoxicated by this confident and self-assured woman who encourages her to take control of her life and, when Ria flourishes, an intense friendship is forged. However, when Fran’s advice leads to a shocking event, the lives of these two very different women become intertwined by shared secrets and dangerous plots. What follows is a compelling and manipulative game of cat-and-mouse. But just who is playing who?
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阿什利·卫
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The Guest (4x60) is an addictive, fast-paced story that centres on the toxic and beguiling relationship between a successful business owner, Fran, and her employee, Ria.
Ria has never had the time or opportunity to think about what she might actually want from the world. So, when she starts cleaning for Fran, she’s intoxicated by this confident and self-assured woman who encourages her to take control of her life and, when Ria flourishes, an intense friendship is forged.
However, when Fran’s advice leads to a shocking event, the lives of these two very different women become intertwined by shared secrets and dangerous plots. What follows is a compelling and manipulative game of cat-and-mouse. But just who is playing who?
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阿什利·卫
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The Guest (4x60) is an addictive, fast-paced story that centres on the toxic and beguiling relationship between a successful business owner, Fran, and her employee, Ria. Ria has never had the time or opportunity to think about what she might actually want from the world. So, when she starts cleaning for Fran, she’s intoxicated by this confident and self-assured woman who encourages her to take control of her life and, when Ria flourishes, an intense friendship is forged. However, when Fran’s advice leads to a shocking event, the lives of these two very different women become intertwined by shared secrets and dangerous plots. What follows is a compelling and manipulative game of cat-and-mouse. But just who is playing who?
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Michael Pierro
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At the end of his rope, a newly redundant office drone (Nathanael Chadwick, THE LAST PORNO SHOW) takes a rideshare driver job, but the gig isn’t making ends meet, and he’s missing bill payments, avoiding calls from his landlord, and not spending time with his partner and new baby. Days of frustrating bookings, from bickering couples to puking party girls, reach a boiling point. When a slick passenger tells him about a new, well-paying driving gig at a company called Tonomo, our driver makes the call and starts immediately to cash in. This new job comes with rules, however—obey the app’s instructions, don’t talk to passengers, and finish the ride, or he’ll lose all his money. He soon learns that these are hard and fast rules and that he’s at the mercy of the app and its mysterious, often psycho customers, both of which will put him in situations that test his conscience and morals. – Carolyn Mauricette
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丹尼尔·奥哈拉,丽莎·克拉克
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The series follows smart, capable and by the book Grace Narayan (Anjli Mohindra), who was flying high as an inner-city police sergeant before being forced into a 'punishment posting' on the small, antiquated island of St. Jory. Confronted by the forgotten and unsolved case of missing teenage boy Cai, Grace quickly discovers that she must overcome scarce evidence, extraordinary local characters, and the island's strange cult history to uncover the truth.
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Colin Krawchuk
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On a chilling Halloween night, a supernatural trickster known as The Jester encounters Max, a fearless 15-year-old girl. Together, they form an uneasy alliance to confront a powerful magician whose dark abilities push Max’s courage and cleverness to the limit in a thrilling showdown.